jg (
hatpinvigilante) wrote2021-03-25 08:09 pm
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here's the thing: i can't do anything right
Today was tough. Overall, I think I'll remember the better things, like daffodils in the sun, wearing my pretty new mask, being on campus again, my first mocha in a year, blooming witch-hazel, a rare leucistic squirrel, a breakthrough in my research project, etc. Objectively, those things were all very nice. But they didn't fill me up enough to make it through four hours of research in a museum basement and then a 1.5 hour long, in-person interview for a part-time temp job at a park. I was flagging by the time I got home, and it all just went downhill from there.
I tried taking a bath, but the water came out disappointingly cold.
I tried making dinner, but I'm out of cooking oil.
I gave up on everything and decided to work on my embroidery project, and then I ruined it.
I honestly think I jinxed it by being so pleased with how it was going and assuming I'd already finished the hardest parts. Faces are hard, and so is trying to figure out the right direction of stitches in jet-black hair. All of that had gone so well that I truly thought I could finish all the filler colors tonight and have it in the mail by tomorrow afternoon...
Alas, the fabric had other plans. I can usually forgive a little wrinkle here or there, but I ended up with a huge wrinkle right across his neck. So, I cut out all the stitches and tried again, but it just kept happening. I'd already cut out those same stitches multiple times due to poor color choices, so maybe the fabric was just fed up with me. I was certainly fed up with it. The seventh or eighth time I went to cut the stitches, I cut too much, and I just couldn't keep going. The stabilizer was shifting and everything was a mess.
I should have known not to work on this tonight. I work better in the morning as a general rule, and I was feeling the same buzzing, frenetic energy I felt when I ruined Jiang Cheng. I was just not in a calm or patient headspace, and I ultimately ended up committing a devastating act of violence with a pair of sewing scissors.
(And then I absent-mindedly brought those same sewing scissors into the bathroom with me and put toothpaste on them instead of my toothbrush?)
Anyway, I won't commemorate this tragedy by posting a picture of Xiao Xingchen in my trashcan. It's really horrible. I'm obviously upset. So little good has come up this past year that I rely (probably too much) on finishing these projects and the nice attention they get. It's been especially neat using embroidery to create fanart, because there's that extra layer of feeling like you're giving these characters a spa treatment or something. It requires such close, detailed care, and I just think they deserve that.
But the flipside of that very real emotional high is that every failure hits so hard, and I don't have any solid coping mechanisms at my disposal right now. (All my coping mechanisms are busy with, you know, the Big Stuff.)
It's all going to be fine tomorrow. I just need to talk it out somewhere so I can move on and try again. I'm still really excited about this thing. I still really want to surprise my friend, even if it takes a little longer than I'd hoped. The benefit of using a stabilizer is that I still have the original pattern, so it's not a total loss, and my second Jiang Cheng definitely came out better than the first anyway. I'm gonna drink some water. I'm gonna get some sleep. I'm gonna re-up my supply of the proper greys/whites/silvers. And then Xiao Xingchen is coming back to life whether he likes it or not.
(Xue Yang would be proud.)
I tried taking a bath, but the water came out disappointingly cold.
I tried making dinner, but I'm out of cooking oil.
I gave up on everything and decided to work on my embroidery project, and then I ruined it.
I honestly think I jinxed it by being so pleased with how it was going and assuming I'd already finished the hardest parts. Faces are hard, and so is trying to figure out the right direction of stitches in jet-black hair. All of that had gone so well that I truly thought I could finish all the filler colors tonight and have it in the mail by tomorrow afternoon...
Alas, the fabric had other plans. I can usually forgive a little wrinkle here or there, but I ended up with a huge wrinkle right across his neck. So, I cut out all the stitches and tried again, but it just kept happening. I'd already cut out those same stitches multiple times due to poor color choices, so maybe the fabric was just fed up with me. I was certainly fed up with it. The seventh or eighth time I went to cut the stitches, I cut too much, and I just couldn't keep going. The stabilizer was shifting and everything was a mess.
I should have known not to work on this tonight. I work better in the morning as a general rule, and I was feeling the same buzzing, frenetic energy I felt when I ruined Jiang Cheng. I was just not in a calm or patient headspace, and I ultimately ended up committing a devastating act of violence with a pair of sewing scissors.
(And then I absent-mindedly brought those same sewing scissors into the bathroom with me and put toothpaste on them instead of my toothbrush?)
Anyway, I won't commemorate this tragedy by posting a picture of Xiao Xingchen in my trashcan. It's really horrible. I'm obviously upset. So little good has come up this past year that I rely (probably too much) on finishing these projects and the nice attention they get. It's been especially neat using embroidery to create fanart, because there's that extra layer of feeling like you're giving these characters a spa treatment or something. It requires such close, detailed care, and I just think they deserve that.
But the flipside of that very real emotional high is that every failure hits so hard, and I don't have any solid coping mechanisms at my disposal right now. (All my coping mechanisms are busy with, you know, the Big Stuff.)
It's all going to be fine tomorrow. I just need to talk it out somewhere so I can move on and try again. I'm still really excited about this thing. I still really want to surprise my friend, even if it takes a little longer than I'd hoped. The benefit of using a stabilizer is that I still have the original pattern, so it's not a total loss, and my second Jiang Cheng definitely came out better than the first anyway. I'm gonna drink some water. I'm gonna get some sleep. I'm gonna re-up my supply of the proper greys/whites/silvers. And then Xiao Xingchen is coming back to life whether he likes it or not.
(Xue Yang would be proud.)